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Rufus Thomas The Funky World Of Rufus Thomas 2011-05-30T09:31:56Z http://www.rufusthomas.com/feed/atom/ WordPress admin <![CDATA[The Funky Rufus Thomas]]> http://www.rufusthomas.com/?p=21 2011-05-30T09:31:46Z 2010-04-08T16:44:38Z Here is a funky video of the funky rufus thomas performing: The Funky Chicken. Enjoy!

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admin <![CDATA[Albums and Singles]]> http://www.rufusthomas.com/?p=18 2011-05-30T09:31:56Z 2010-04-05T16:19:49Z Rufus thomas made a lot of music in his time. here are his albums and singles.

Albums

  • 1963 Walking The Dog (Stax704)
  • 1969 May I Have Your Ticket Please (Stax STS-2022) Unreleased
  • 1970 Do The Funky Chicken (Stax STS-2028)
  • 1971 Doing The Push And Pull At PJ’s (Stax STS-2039)
  • 1972 Did You Heard Me? (Stax STS-3004)
  • 1972 DCrown Prince of Dance (Stax STS-30048)

[edit]Singles

  • 1962 Can’t Ever Let You Go / It’s Aw’right (Stax126)
  • 1963 The Dog / Did You Ever Love A Woman (Stax130)
  • 1963 Walking The Dog / Fine And Mellow (Stax140)
  • 1963 Walking The Dog / You Said (Stax140) mkII
  • 1964 Can Your Monkey Do The Dog / I Wanna Get Married (Stax144)
  • 1964 Somebody Stole My Dog / I Want To Be Loved (Stax149)
  • 1964 Jump Back / All Night Worker (Stax157)
  • 1965 Little Sally Walker / Baby Walk (Stax167)
  • 1965 Willy Nilly / Sho’gonna Mess Him Up (Stax173)
  • 1965 The World Is Round / Chicken Scratch (Stax178)
  • 1966 Sister’s Got A Boyfriend / Talking ‘Bout True Love (Stax200)
  • 1967 Sophisticated Sissy / Greasy Spoon (Stax221)
  • 1967 Down Ta’ My House / Steady Holding On (Stax240)
  • 1967 The Memphis Train / I Think I Made A Boo Boo (Stax250)
  • 1968 Funky Mississippi / Hard To Get Along With (Stax0010)
  • 1968 Funky Way / I Want To Hold You (Stax0022)
  • 1969 Do The Funky Chicken / Turn Your Damper Down (Stax0059)
  • 1970 The Preacher And The Bear / 60 Minute Man (Stax0071)
  • 1970 (Do The) Push And Pull Part 1 / Part 2 (Stax0079)
  • 1971 The World Is Round / I Love You For Sentimental Reasons (Stax0090)
  • 1971 The Breakdown Part 1 / Part 2 (Stax0098)
  • 1972 Do The Funky Penguin Part 1 / Part 2 (Stax0112)
  • 1972 6-3-8 (That’s The Number To Play) / Love Trap (Stax0129)
  • 1972 Itch And Scratch Part 1 / Part 2 (Stax0140)
  • 1973 Funky Robot Part 1 / Part 2 (Stax0153)
  • 1973 You Don’t Me No More / I’m Still In Love With You (Stax0177)
  • 1973 I’ll Be Your Santa Baby / That Makes Christmas Day (Stax0187)
  • 1973 The Funky Bird / Steal A Little (Stax0192)
  • 1974 Boogie Ain’t Nttin’ Part 1 / Part 2 (Stax0219)
  • 1975 Do The Double Bump Part 1 / Part 2 (Stax0236)
  • 1976 DJump Back ’75 Part 1 / Part 2 (Stax0254)

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admin <![CDATA[His Professional Career]]> http://www.rufusthomas.com/?p=10 2009-09-12T22:39:27Z 2009-09-12T22:39:27Z ]]> Rufus Thomas Live at 54He made his professional singing debut at the Elks Club on Beale Street in Memphis, filling in for another singer at the last minute. He made his first 78 rpm record in 1943 for the Star Talent label in Texas, “I’ll Be a Good Boy”, backed with “I’m So Worried.”

He also became an on-air personality with WDIA, one of the first radio stations in the US to feature an all-black staff and programming geared toward blacks. He became one of the station’s most popular DJs.

His celebrity was such that in 1953 he recorded an “answer record” to Big Mama Thorntonn’s hit “Hound Dog” called “Bear Cat” and released on Sun Recordss. Although the song was the label’s first hit, a copyright-infringement suit ensued and nearly bankrupted Sam Phillips’ record label. Later, Rufus was one of the African American artists released by Sam Phillips as he oriented his label more toward white audiences and signed the likes of Elvis Presley in the place of the dismissed musicians.

Nevertheless, Rufus remembered spinning Elvis discs on WDIA. Management at the station forbade the deejays from playing Elvis during the years from 1953 to 1956. “They said blacks wouldn’t listen to Elvis. I tried to play him, I tried to tell them. No one can speak for a whole group.” At a major WDIA benefit in 1956 Rufus appeared, dressed as Chief Rocking Horse, and led Elvis onto stage in front of an all-black audience, arguing that introductions should be held until the end of the show, lest wild applause ensue. After Elvis did his pelvic gyration that evening, the inevitable frenzy of the kids in the audience did in fact drown out the emcees, proving Rufus right. “After that night,” recalled Rufus, “we were allowed to play Elvis.”

The prime of Rufus’s recording career came in the 1960s and early 1970s, when he was on the Stax roster, having one of the first hit sides at that historic label (“Walking the Dog”, 1963). At Stax, he recorded songs when he had something to record, as tunes came up, never collecting songs to be done in blocks. Songs were usually recorded in one or two takes, live. No one ever had a good idea which sides would make hits at Stax, the artists had no control over what got released, and little of what went on was plotted out or scripted in any way.

Rufus was often backed by Booker T. and the MG’s or the Bar-Kays, and his bands included many of the era’s finest musicians. Rufus once said

I’ll tell you a story,not many people know this one. It was the same club where I later wrote ‘Do the Funky Chicken,’ in Covington, Tennessee. I had two guitar players, I can’t remember the second one’s name at the time, but the first one was a young guy, playin’ just terrible, loud, out of tune, all over the place. After a while, I said, “Send him home, I can’t use a guitar player who plays like that.” That dude was Jimi Hendrix.

Late in his career, for years, Rufus performed at the Porretta Soul Festival in Porretta Termee, Italy. The outdoor amphitheater in which he performed has been re-named “Rufus Thomas Park.” In 1996 Rufus and William Bell headlined at the Olympics in Atlanta. In September 1997, he performed at the Framingham (Massachusetts) Blues Festival and included an updated version of “Walking the Dog”.

A baseball devotee, Rufus was a fan of the Atlanta Braves. He claimed never to be able to turn down ice cream–and favored vanilla drenched in maraschino cherry juice. His beverages of choice, rather than roadhouse specialties, were sweetened iced tea and fruit-flavored sodas. Until late in his life, he remained an avid listener of music, respecting artists as diverse as Prince, Preston Shannon, and Denise Lasalle.  Highlights of his career included calming an unruly crowd at the early ‘seventies Wattstax Festival, and performing with James Brown’s band.

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admin <![CDATA[The Early Life And Education Of Rufus Thomas]]> http://www.rufusthomas.com/?p=1 2011-05-30T09:31:36Z 2009-08-09T10:03:27Z ]]> Rufus_Thomas-The_Platinum_CollectionThumbBorn a sharecropper’s son in the rural community of Caycee, Mississippii, Thomas moved to Memphis with his family at age 2. His mother was “a church woman.” Thomas made his artistic debut at the age of 6 playing a frog in a school theatrical production. Much later in life, he would impersonate all kinds of animals: screeching cats, funky chickens and penguins, and mournful dogs. By age 10, he was a tap dancer, performing in amateur productions at Memphis’ Booker T. Washingtonn High School.

Thomas attended one semester at Tennessee A&I Universityy, but due to economic conditions left to pursue a career as a professional entertainer, joining up in 1936 with the Rabbit Foot Minstrels, an all-black revue that toured the South. He then worked for twenty-two years at a textile plant and didn’t leave that job until about 1963, around the time of his “Dog” hits. He started at WDIA in 1951 (despite biographies placing his start a year earlier). At WDIA, he hosted an afternoon show called Hoot and Holler. WDIA, featuring an African-American format, was known as “the mother station of the Negroes” and became an important source of blues and R&B music for a generation, its audience consisting of white as well as black listeners. Thomas’s mentor was Nat D. Williams, a pioneer black deejay at WDIA as well as Thomas’s high school history teacher, columnist for black newspapers, and host of an amateur show at Memphis’s Palace Theater. For years Thomas himself took hosting duties for the amateur show and, in that capacity, is credited with the discovery of B.B. King.

Source:WIKIPEDIA

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